In a world where ash falls from the sky, and mist dominates the night, an evil cloaks the land and stifles all life. The future of the empire rests on the shoulders of a troublemaker and his young apprentice. Together, can they fill the world with color once more?
In Brandon Sanderson’s intriguing tale of love, loss, despair and hope, a new kind of magic enters the stage — Allomancy, a magic of the metals.
The annoying thing about going into a book series like this is the standard it’s held up to. I’ve heard people hail Brandon Sanderson as the greatest fantasy author of all time with the Mistborn Series being on par with Lord of the Rings…
It was good, I liked it, but I think I would have liked it more if I’d gone in without any expectations. Right off the bat the book is amazingly involving and engrossing, I mean who isn’t immediately invested in a plot about freeing slaves. But it is a long book, of course, it’s a fantasy epic, but it does make it a quite intimidating read. I’m an incredibly slow reader at the best of times so I had to really push myself to read it.
Also, while I’ve been told again and again this is the best fantasy series some people have read, it’s not that fantastical. It is a low fantasy, a very low fantasy indeed, it’s more about politics and the first half definitely feels like ocean’s 11.
Something I found refreshing was the book wasn’t too heavily invested in the emotional struggles of the characters, not in the way the YA books I usually read commonly are. I know it can be done well, but by God it is done way too often, my poor heart can’t take it. So, this book was a breath of fresh air, focusing more on house politics and devious plans with twists and turns than a ‘heart-breaking’ love triangle. That is not to say there weren’t emotional stakes, it just doesn’t feel like the emotional state of the characters is the most important thing in the world. These characters are definitely more rounded and stable than the people I usually read about which makes them instantly ten times more likeable.
I do have to say I find all the fight scenes really confusing, I have no idea what’s going on, but I think that’s because the magic system loves its rules and I just think if it held back slightly, it would be easier to see what is happening.
“How do you ‘accidentally’ kill a noble man in his own mansion?”
“With a knife in the chest. Or, rather, a pair of knives in the chest…”
~Just casual murder and fun things like that
WORLDBUILDING AND SO MUCH LORE
From page one it opens up the wider world bursting with life, class, politics and mythos, it really keeps you hooked but mostly (we’ll get back to it) it doesn’t bog you down in worldbuilding. It’s given to the reader on a more need to know basis, so while you’re never really confused it is obvious there’s a lot more to this world than you know, which I like, its spread out rather than dumping it on you all at once.
At first I liked the magic system as it felt very straight forward, all the rules were explained and grounded. But as I continued to read, and more rules and philosophies were attached to it, I wished the reader could be left to fill in some of the gaps themselves. It’s too much science for my fantasy tastes.
Now, most of the book is fine when it comes to exposition, except for the ending. I get it had to be done to make the end reveal work, but it just felt like it was page upon page of people explained new information to each other with too little time to actually do it naturally and in the end, it just exhausted me.
“You should try not to talk so much, friend. You’ll sound far less stupid that way.”
~I intend to use this in my everyday life
I LOVE THESE CHARACTERS
What this book does so amazingly well is its characters. The main characters, Vin and Keliser are easily empathetic without even trying because they let you into their lives immediately and the authors knows their flaws, rather than trying to hide them as if they are perfect people. This means I let a lot slide that normally irritates me.
I usually have a lot of issues against main characters who are without reason are extremely powerful, but with Vin, who ticks this red flag, it doesn’t bother me. I think it’s because Vin is very paranoid and hurt by past experiences, like actually hurt rather than the atheistic hurt most main characters are labelled with. Here. there are actual stakes and consequences if Vin messes up. People, both she and I care about, can and do get hurt.
Again, another cliché I hate, the star-crossed lovers, is done well here. For starters they don’t immediately fall in love with each other, like the other is the most important thing in the world, it’s more that they get along. Plus I like the love interest, Elend is snarky and an active character, rather than just a pretty face.
But no one is pretending the other main character, Keliser, is perfect either. In fact he’s worse, and the characters know it, they even openly discuss it. He is horribly stubborn to hate the nobility, just as much as the nobility hate the skaa and he’s proved wrong, which I loved because I was calling him out the entire book!
The rest of the team is great, they are unique and eccentric making it easy to hear their distinct voices. Spooks is also adorable, I just want to say it, he’s very sweet.
“And Vin liked solitude. When you’re alone, no one can betray you”
~Oh my sweet child, you need a hug
THE ENDING I KNEW WAS COMING
Annoyingly I knew where the book was going because, (without giving it away), the thing that should happen in Act 3 started in the beginning of Act 1. It worried me greatly and I called it, I knew what was coming, but once again it didn’t irritate me. It wasn’t because of any betrayal or anything to tear at the heart, it happened because of human error and I prefer to not have to roll my eyes when Evil McEvilson finally betrays them.
Rating: 4 stars
I can’t wait to read the next one!